Previous seasons of the show have taken a bleak stance on how humans use new technologies. The new season takes a more ambivalent approach, showing both threats and opportunities.

Crows in a lab were able to distinguish shapes that exhibited right angles, parallel lines, and symmetry, suggesting that, like humans, they have a special ability to perceive geometric regularity.

Ecuador's runoff vote pits Trump ally and incumbent Daniel Noboa against leftist challenger Luisa González, in an election dominated by the issue of security in a highly polarized political landscape.

The Trump administration's tariff plans will likely increase prices across the board. Financial therapist Rick Kahler discusses how to prepare.

Joe Santos, Ph.D., discusses why the scale of different economic measures matter, and a law partner breaks down what employers should know in a changing legal environment.

Singer-songwriter Marnie Cook performs live in our studio. Punk band Plastic Blow rocks out. And the South Dakota Symphony Orchestra previews Mozart's "Great" Mass.

Lou Raguse's "Vanished in Vermillion" tells the story of two teens who went missing in 1971. The author unpacks his crime reporting on this case and others in the area.

Reporters, analysts and the lieutenant governor join "In the Moment" to discuss how Gov. Larry Rhoden hopes to tackle top issues from the 2025 session.

The new Milken Educator Award winner and SDPB's "Science Steve" dive into their love for education, teaching and coaching. It's an education hour honoring top teachers.

The state legislature passed a bill cutting funding to the state's tobacco prevention and cessation program. We explore the numbers regarding tobacco and South Dakota's kids.

As migrating birds return this spring, they may be bringing an unwelcome passenger: Bird flu. We talk with veterinarians and ag producers about what they expect.

Sioux Falls Parks and Recreation celebrates Earth Month in April with two family-friendly festivals.

Chosen from among 78 artists, Chris Combs serves as this year’s Artist-in-Residence at the Sanford Underground Research Facility. Based out of Washington D.C., Combs says his artwork both embraces and questions technology.