
Bob Mondello
Bob Mondello, who jokes that he was a jinx at the beginning of his critical career — hired to write for every small paper that ever folded in Washington, just as it was about to collapse — saw that jinx broken in 1984 when he came to NPR.
For more than three decades, Mondello has reviewed movies and covered the arts for NPR, seeing at least 300 films annually, then sharing critiques and commentaries about the most intriguing on NPR's award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR's eight-part series "American Stages," exploring the history, reach, and accomplishments of the regional theater movement.
Mondello has also written about the arts for USA Today, The Washington Post, Preservation Magazine, and other publications, and has appeared as an arts commentator on commercial and public television stations. He spent 25 years reviewing live theater for Washington City Paper, DC's leading alternative weekly, and to this day, he remains enamored of the stage.
Before becoming a professional critic, Mondello learned the ins and outs of the film industry by heading the public relations department for a chain of movie theaters, and he reveled in film history as advertising director for an independent repertory theater.
Asked what NPR pieces he's proudest of, he points to an April Fool's prank in which he invented a remake of Citizen Kane, commentaries on silent films — a bit of a trick on radio — and cultural features he's produced from Argentina, where he and his husband have a second home.
An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year," he says, "as most people see in a lifetime."
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Bob Mondello shares his thoughts on Timothee Chalamet's rendition of a young Willy Wonka in the new prequel to the Roald Dahl film classic Willy Wonka and the Chocolate Factory.
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Jeffrey Wright plays a frustrated author who writes an preposterously stereotypical "Black" book as a joke, only to have it become a bestseller in the comedy American Fiction.
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Emma Stone teams up with director Yorgos Lanthimos for Poor Things, a Frankenstein-inspired black comedy about a young woman shaking up the society around her as she comes into her own.
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Renaissance: A Film by Beyoncé topped the box office over the weekend but took in far less than Taylor Swift: The Eras Tour did in its opening weekend. Doesn't matter — theater owners still win.
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A selective preview of the potential awards contenders and wannabe blockbusters Hollywood has in store for the holidays.
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2023 is becoming a banner year for women in film. Barbie's led the way, and lots of films are following.
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George C. Wolfe's biopic chronicles the work of civil rights leader Bayard Rustin in planning an executing the historic 1963 March on Washington.
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Paul Giamatti plays a 1970s prep-school teacher reluctantly supervising students with nowhere to go for the Christmas holidays in Alexander Payne's dramedy, The Holdovers.
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Martin Scorsese's epic 3.5-hour dramatization of David Grann's true-life tragedy about the Osage Nation stars Lily Gladstone, Leonardo DiCaprio and Robert De Niro.
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A novelist is accused of her husband's murder, and the only witness is their blind son in Justine Triet's Palme d'Or-winning film, Anatomy of a Fall.